Southwest Airlines Essay -- essays research papers fc

I.Current SituationFollowing the Deregulation in 1978, a competitive price war ensued among the air hose industry as a direct result of the new freedom for airlines to set their own fares as well as route entry and exits. This gave progression to the operating structure of the airlines as it exists today, consisting of the point-to-point system and the hub and spoke system. With this came the change of focus for major airlines to non-stop, cross-country routes in densely populated cities, which, in a adjust environment, would be pull aheadable. This resulted in the obvious outcome of increased competition, thus lowering the average industry prices for non-stop cross country routes which were profitable. This caused operating costs to increase, narrowing the profit margins. During the mid 80s, acquisition led to eight airlines capturing a disproportionate share of domestic traffic. Due to a recession and increasing fuel prices in the 90s, bankruptcy and collapse were common to ma ny carriers. As a direct result, new airlines were formed, and now position themselves as low fare, no falderol airlines.As a culture, American consumers seem to follow one obvious trend the need and desire for maximum safety. This trend has seen a rapid stick up in the wake of 9/11, and seems to show no sign of a decline. This can be further observed in the form of advanced aerodrome/airline security measures and regulations. In accordance with this, Southwest has always prided themselves on being the safest airline in the industry, adapting to the rapidly changing times. This has helped them soar over competition. A. assiduity1. Industry Defined and Total VolumeSouthwest exists and operates within the air travel industry in the United States an industry which has traditionally been based on a point-to-point flight system. However, this industry has been re defined, evolving into a hub-and-spoke system which all airlines have adopted all except Southwest. Hub-and-spoke flights, called feeder flights, are defined by long-haul, layover flights where consumers stop at a central hub city and can then either continue the flight on the same plane, or transfer onto a different plane flown by the same carrier. The point-to-point system, deployed by Southwest, is non-stop flights, called shuttle flights. Th... ...profit while other airlines dive into the red. www.post-gazette.com/pg/05020/445078.stm. January 2, 2005.mars.acent.wnec.edu/achelte/Theresa.htm.Maynard, Micheline. Southwest Losing Its Immunity to Labor Conflicts ofAirlines. The radical York Times. July 4, 2002. (C1).Okada, Bryon. Airline Wright law still wrong on long-haul flights. Knight Ridder Tribune News. February 18, 2005. (1-3).Sail the Ocean Blue with the Airline Cast and Crew Customers Can Take a Cruise with their Favorite AIRLINE Characters. PRNewswire, February 14, 2005.Serwer, Andy. Southwest Airlines The hottest Hottest Thing in the Sky. Fortune February 23, 2004.Southwest Airlines Expands Nonstop Flights Between Houston Hobby and Los Angeles International. CNNMoney, February 3, 2005.Southwest Airlines Co. http//www.southwest.com. 2005.Southwest Airlines Sends Hottest Fares Directly to customers estimator Desktops PRNewswire-FirstCall via COMTEX, February 28, 2005.Training & Development. Southwest Airlines charts a high-performance flight. Alexandria June 1995. Issue 6. (Vol 49-39).Yahoo Finance. http//finance.yahoo.com/. 2005.

Criminology Reflection :: Criminology

Over the years I have been a faithful fan of anything aversion related the anatomy of a crime, from the crime itself, to the investigation, and finally the court for trial and sentencing. I enjoyed the movement. The internet became an interesting tool for me to learn all the different things I wanted to know about the theatre of operations of crime. I would see something in the media or on television but kept a neutral point of view about technology that was utilize on a program. Logically speaking, if a crime could be solved in 47 minutes and DNA results took weeks or months, not minutes to process than would it not make sense that real life crimes would be solved far quicker in the name of swift justice. This is the reason why I enjoy learning in a real world environment about different aspects of criminology. I must admit I did feel as though I had a good basic grasp of what forensic science is, but this class helped to put some missing pieces in place.thither were several areas that piqued my interest and made me want to learn more such(prenominal) as ethics, more importantly, the need to be ethical in the collection of evidence, bear on of evidence, and the testimony that is given in trial. The need to be ethical should be expected as part of a persons character, especially when presenting something that could express guilt or innocence, nave as that might sound. However, we live in the real world and someones ethical behavior can add up into question. For instance, a first responder who took pictures of a mangled car and a dead body, and suddenly it has gone viral, perhaps even making profit from the characterization or video (in this case it was just for sick humor). Dayna Kempson-Schacht had been in a deadly car accident, and a local firefighter had captured video of the victim, which eventually cease up on the internet, going viral, for the entire world to see. The parents eventually viewed to video of their daughters last moments. The f irefighter was heard saying Look at that piece of skull right there on the console. This type of behavior is unacceptable in the realm of public safety (Hayes, 2010). This extends to all aspects of criminal justice. Even cases such as O.J. Simpson (clich I know) have raised questions about the ethical behavior at the crime scene about how the evidence was collected and processed, not to conjure up possible racial bias and planting of evidence as a direct result.

Comparing Society in The Dharma Bums and The New American Poetry Essay

Mass Society in The Dharma Bums and The New American Poetry One of the best ship canal to fully gain an era is to study its literature. The printed word has the incredible capacity to both reflect and shape the hopes, fears, and ideologies of the time. This is very evident when reading literature from 1960s America, a turbulent closure in the history of our country. While the authors styles are very different, there are definite thematic patterns and characteristics evident in many of their works. For one, there is a preponderant concept of the unenlightened masses. This concept serves as a foil for the enlightened few often represented as the main characters and more specifically as the authors themselves. There in like manner seems to be a general questioning of the American Dream as well as a clear conflict mingled with nature and technology. By looking at these common thematic elements, not only can we better understand the literature of the time, but we can a lso get a fuller picture of the era itself. One of the most interesting concepts in 60s literature is that of mass society. And while this notion is evident in many of the writings, the treatment of it is different from author to author. Richard Brautigan chooses to show the poor masses in his piece Trout Fishing in America. He writes, ...people gather in the park across the street from the church and they are hungry.//Its sandwich time for the poor.(280,Streets) Donald Berthelme in his work The Glass Mountain calls the masses, acquaintances(284, Streets). He shows them to be a rummy and unruly lot who shout profanities at him as he tries to climb the building. Lawrence Ferlinghetti mentions an unlonely crowd(130,Poetry) in his po... ...erature from 1960s America is full of recurring themes and images, which help to shed virtually light on the society of the time. There is a portrayal of a mass society that is questing for the American dream. There is also a call for discernment which many of the authors seem to say comes from a rejection of technological glitter and a return to simple, awe inspiring nature. These themes are shown in many different ways and with various slants. By placing these works in the larger context of a social era, we can see that the 60s was a very tumultuous time of massive conflict and great change. Works Cited Allen, Donald ed. The New American Poetry. U of California PressBerkeley, 1999. Bloom, Alexander and Wini Breines Takin It To The Streets. Oxford University Press Oxford, 1995. Kerouac, Jack The Dharma Bums. Penguin Books N.Y., 1986.

Religious Ceremonies In Theatre :: essays research papers fc

Theatre as a Religious Ceremony The drama in Greece was inextricably bound up with religious aroma and religious observance. (Cheney 33) The citizens of the Greek states were the first European communities to raise dramatic performances to the level of an art. Furthermore, the Greek playwrights still exercise a potent creative force, and many advanced(a) dramatists find strong relationships between these legendary themes and modern conditions. The Greeks religion is wholly responsible for the creation of all facets of early Greek household whether it is the content of the plays, or the immense size of the theaters required to accommodate the attendance of the citys men.Although much is speculated about the origins of early Greek theater, it may be stated that the source of tragedy is to be found in choric dithyrambs sung in honor of the god Dionysus (Nicoll 9). The performance took place in an outdoors theater. The raillery tragedy is derived from the term tragedia or goat-s ong, named for the goat skins the chorus wore in the performance. Originally these songs were improvised and rhapsodical as time passed by they were poetized or rendered literary (Nicoll 9). The word chorus meant dance or dancing ground, which was how dance evolved into the drama. Members of the chorus were characters in the play that commented on the action. They drew the audience into the play and reflected the audiences reactions. The change from freelance song to theatre was obtained at the turn over of a Greek named Thespis. He turned what was originally a song leader, or priest, into an musician whose words were answered by a chanting chorus. Thespis also changed the subject matter of theatre events, expanding them to deal not solely on stories of Dionysus (Nicoll 9). In the sixth ascorbic acid B.C., drama had been born in Greece and with the introduction of a second actor and later a third, this art form was ready to mature at the hands of Aeschylus, Sophocles, and Euripid es.These festivals grew in size and complexity, especially in Athens, where the largest of these festivals were held and only the premier playwrights released their plays. These prestigious and elaborate plays were performed at dramatic festivals. The two main festivals were the Feast of the Winepress in January and the metropolis Dionysia at the end of March. The Proceeding began with the procession of choruses and actors of the three competing poets.

Comparing the Use of Setting in The Shawl and The Portable Phonograph E

Use of Setting in The Shawl and The Portable record player In literature, conniption is often used to enhance or develop characters, provide realism, and create a mood or atmosphere for a story (Roberts 256). Two little(a) stories, The Shawl by Cynthia Ozick and Walter Van Tillburg Clarks The Portable phonograph explore victims of war in the vivid settings that the authors have created. Although both works are vague as to geographic setting and place in time, the authors detailed descriptions of the characters surroundings envelop the reader and lend an air of authenticity to the tales (Kauvar 180). The Shawl and The Portable Phonograph differ in their treatment of symbolism and characterization but their ingenious use of setting to create a theme unites these two stories. The Shawl and The Portable Phonograph both open with intense, haunting descriptions Ozick shocks readers with her portrayal of the Holocaust in searingly vivid sensory impressions (Watson 892) and Clark dedica tes his first three paragraphs to describing a desolate, war torn plain desolate of almost all life. Clark immediately creates a sense of a dangerous, foreboding world, describing a sensation of torment that arose from the stillness of the earth air beneath the force of the upper air (Roberts 260). The reader is left with an impression, filled with detail, but moreover, overflowing with emotion. The Shawl and The Portable Phonograph contain objects that are critical to the stories and to the mental states of the characters contained within. In the source story, the Rosa believes the shawl protects her baby from the horrors of the Holocaust, the scrap of cloth provides her with hope that the next generation wi... ...rough their thoughts. The settings in these two stories act as more than simply a ground for a tale, they are used to create meaning, just as painters include backgrounds and objects to render ideas (Roberts 255). Works Cited Kauvar, Elaine M. Cynthia Ozicks Fiction Tradition and Invention. Bloomington Indiana University Press, 1993. Magill, Frank N. ed. sarcastic Survey of Short Fiction, Vol. 2. Pasadena Salem Press,1993. Roberts, Edgar V. and Jacobs, Henry E. Literature An Introduction to Reading and Writing. Upper Saddle River Prentice Hall, 1998. Sheehy, Gail. Spirit of Survival. New York William Morrow and Co., 1986. Stine, Jean C. ed. Contemporary literary Criticism, Vol. 28. Detroit Gale Research Co., 1984. Watson, Noelle, ed. Reference Guide to Short Fiction. Detroit St. James Press, 1994.

Comparing the Use of Setting in The Shawl and The Portable Phonograph E

Use of Setting in The Shawl and The movable Phonograph In literature, setting is often used to enhance or develop characters, provide realism, and create a mood or atmosphere for a story (Roberts 256). cardinal short stories, The Shawl by Cynthia Ozick and Walter Van Tillburg Clarks The takeout Phonograph explore victims of war in the vivid settings that the authors have created. Although both works are dense as to geographic setting and place in time, the authors detailed descriptions of the characters surroundings envelop the reader and lend an air of authenticity to the tales (Kauvar 180). The Shawl and The Portable Phonograph differ in their treatment of symbolism and characterization but their ingenious use of setting to create a theme unites these two stories. The Shawl and The Portable Phonograph both open with intense, haunting descriptions Ozick shocks readers with her portrayal of the Holocaust in searingly vivid sensory impressions (Watson 892) and Clark dedicates hi s first three paragraphs to describing a desolate, war torn unmingled devoid of almost all life. Clark immediately creates a sense of a dangerous, foreboding world, describing a sensation of torment that arose from the stillness of the earth air under the violence of the upper air (Roberts 260). The reader is left with an impression, filled with detail, but moreover, overflowing with emotion. The Shawl and The Portable Phonograph contain objects that are critical to the stories and to the mental states of the characters contained within. In the former story, the Rosa believes the shawl protects her baby from the horrors of the Holocaust, the scrap of cloth provides her with hope that the next generation wi... ...rough their thoughts. The settings in these two stories act as more than simply a backdrop for a tale, they are used to create meaning, just as painters include backgrounds and objects to render ideas (Roberts 255). Works Cited Kauvar, Elaine M. Cynthia Ozicks Fiction Tr adition and Invention. Bloomington Indiana University Press, 1993. Magill, abrupt N. ed. Critical Survey of Short Fiction, Vol. 2. Pasadena Salem Press,1993. Roberts, Edgar V. and Jacobs, Henry E. Literature An Introduction to Reading and Writing. Upper Saddle River Prentice Hall, 1998. Sheehy, Gail. Spirit of Survival. New York William Morrow and Co., 1986. Stine, Jean C. ed. present-day(a) Literary Criticism, Vol. 28. Detroit Gale Research Co., 1984. Watson, Noelle, ed. Reference Guide to Short Fiction. Detroit St. James Press, 1994.